Jill’s work is typically quiet, often with muted colors and purposefully simple design. She is dedicated to conveying the light, atmosphere, and “feeling” of the landscapes she paints, whether natural or manmade, and wants to evoke an emotional reaction. Basham paints in her Mary-land studio near the Chesapeake Bay, as well as outdoors, in locations both far and near. She is comfortable allowing each painting and its subject to lead her on an exploratory, experimental journey, as this approach often yields the most unexpected and visually exciting results.
Basham has been consistently drawn to expansive, atmospheric views; whether it’s observing Paris from above or looking out from a mountaintop in Georgia. The “From Above” exhibition seems to be a natural, exciting evolution of Basham’s work. “I have always preferred the window seat on a plane, and consistently seek mountain vistas and views from the tops of buildings. Many people experience this birds eye perspective, yet often overlook its unique beauty. I am thrilled to share that.”
Having earned numerous awards and honors, Basham’s recent accomplishments include “Best of Show” in the most recent Plein Air Easton (modified for 2020); “Best of Show” for her work at the Door County Plein Air Invitational by C.W. Mundy, master artist; and the “Judges Award” at Olmsted Plein Air for two different works by both Peter Trippi, editor-in-chief of Fine Art Connoisseur Magazine; and Kelly Kane, editor-in-chief of Plein Air Magazine.
Jill’s work is in corporate, private and museum collections, and has hung in the US Embassy, Sri Lanka through the US Department of State. She is a member of the American Impressionist Society (AIS), the Oil Painters of America (OPA), as well as an artist-member of the historic art institutions; The Salmagundi Club in New York City and The Washington Society of Landscape Painters in Washington, D.C.
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